Related Paintings of unknow artist :. | last penny | Il gioco della cagnetta | Johan Jacob Dobelius | Still life floral, all kinds of reality flowers oil painting 51 | mosaik som visar modet pa theodoras tid |
Related Artists:
Sir Edward john poynter,bt.,P.R.A
1836-1919 English painter, draughtsman, decorative designer and museum official. He came from an artistic family: his great-grandfather was Thomas Banks the sculptor, and Ambrose Poynter, his father, was an architect and watercolour painter. Edward began studying art in 1852 under Thomas Shotter Boys, a friend of his father. In 1853-4 Poynter visited Rome, where he was greatly impressed by the large-scale academic painting of Frederic Leighton. Returning to London, he studied at Leigh's Academy and the studio of William Dobson (1817-1898). Poynter entered the Royal Academy Schools in 1855 but his admiration for French painting led him to Charles Gleyre's studio in Paris the following year. He remained there until 1859, with fellow students George Du Maurier, Thomas Armstrong and Whistler; their activities are described in Du Maurier's novel Trilby (1894). At this time Poynter received his first commissions for decorative work. He began designing stained glass and painting furniture and, after his return to England, he was employed by his friend the architect William Burges to decorate the ceiling of Waltham Abbey, Essex, in 1860.
simon luttichuys
ca 1630-1640
William Mctaggart
Scottish Painter, 1835-1910 was a Scottish landscape painter who was influenced by Impressionism. The son of a crofter, William McTaggart was born in the small village of Aros in Kintyre. He moved to Edinburgh at the age of 16 and studied at the Trustees' Academy under Robert Scott Lauder. He won several prizes as a student and exhibited his work in the Royal Scottish Academy, becoming a full member of the Academy in 1870. His early works were mainly figure paintings, often of children, but he later turned to land and seascape painting, inspired by his childhood love of the sea and the rugged, Atlantic-lashed west coast of his birth. The Storm, 1890, National Gallery of Scotland, Edinburgh.McTaggart was fascinated with nature and man??s relationship with it, and he strove to capture aspects such as the transient effects of light on water. He adopted the Impressionist practice of painting out of doors, and his use of colour and bold brushwork resemble qualities found in paintings by Constable and Turner, both artists whom he admired. McTaggart was skilled in the use of both oil and watercolour and, in addition to Kintyre seascapes, he also painted landscapes and seascapes in Midlothian and East Lothian. Many of his later works depict the Moorfoot Hills which could be seen from his house near Lasswade, which he moved to in 1889.